Martina Bross studied English Literature, German Literature and Rhetoric at Tuebingen University and at Bangor University in Wales. She has been editorial assistant for Connotations: A Journal for Critical Debate since 2008 . From 2011 to 2013 she was a research assistant and lecturer at the English Department of Tuebingen University. Since October 2013 she has been a member of the DFG Research Training Group 1808: Ambiguity – Production and Perception. Her PhD project “Versions of Hamlet: Poetic Economy on Page and Stage” is concerned with different versions of Shakespeare’s Hamlet and the concept of poetic economy. Her research interests include Shakespeare, Early Modern English Drama, poetic economy, nineteenth-century literature, ambiguity in literature, and evaluation of and in literary texts.